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Why You Need Waves CLA Classic Compressors AU VST VST3 Rtas TDM MacOSX.rar.rar for Your Audio Production


Waves CLA Classic Compressors AU VST VST3 Rtas TDM MacOSX.rar.rar: A Review of the Legendary Compressor Plugins by Waves and Chris Lord-Alge




If you are looking for some of the best compressor plugins in the market, you might want to check out Waves CLA Classic Compressors. These are four impeccable models of four compressors that are considered true classics by audio engineers around the world. They are based on the collaboration between Waves and Chris Lord-Alge, a Grammy-winning mixing engineer who has worked with artists like Green Day, U2, Dave Matthews Band, Tina Turner, Rod Stewart, James Brown, and many others.




Waves CLA Classic Compressors AU VST VST3 Rtas TDM MacOSX.rar.rar



In this article, we will review each compressor plugin in detail, covering their features, benefits, formats, compatibility, installation, usage, tips, and tricks. We will also provide you with some links to download and try out these plugins for yourself. By the end of this article, you will have a better understanding of why Waves CLA Classic Compressors are so popular and how they can enhance your audio production.


CLA-2A: The Smooth Electro-Optical Tube Compressor




The first plugin in the bundle is CLA-2A, which is modeled on the legendary electro-optical tube compressor from the mid-'60s. This compressor is known for its smooth, frequency-dependent behavior that makes it ideal for vocals, guitars, bass, and other instruments that need gentle compression with minimal distortion.


The CLA-2A plugin emulates the original's circuitry and components, including its photoresistor-based gain reduction element. It also features Chris Lord-Alge's personal presets that he uses on his own mixes. Here are some of the main features and controls of the CLA-2A plugin:



  • Gain: This knob adjusts the output level of the compressor.



  • Peak Reduction: This knob adjusts the amount of compression applied to the signal.



  • Compressor Mode: This switch toggles between two modes: Comp (compression) and Lim (limiting). The Comp mode has a soft knee and a ratio of 3:1, while the Lim mode has a hard knee and a ratio of 100:1.



  • VU Meter: This meter displays the input level, output level, or gain reduction of the signal.



  • VU Meter Mode: This switch selects what the VU meter displays: IN (input level), OUT (output level), or GR (gain reduction).



  • Analog: This switch enables or disables the analog noise and hum emulation of the original hardware.



To use the CLA-2A plugin on your tracks, you can follow these simple steps:



  • Insert the plugin on the track you want to compress.



  • Adjust the Peak Reduction knob until you see a moderate amount of gain reduction on the VU meter (around 3 to 6 dB).



  • Adjust the Gain knob to compensate for the volume loss caused by compression.



  • Choose between Comp or Lim mode depending on how much compression you want to apply.



  • Tweak the Analog switch to add some warmth and character to your sound.



Here are some tips and tricks for getting the best results with the CLA-2A plugin:



  • The CLA-2A plugin works great on vocals, as it can smooth out the dynamics and add some presence and shine to the voice. Try using the Comp mode with a low Peak Reduction setting and a high Gain setting to achieve a natural and transparent compression.



  • The CLA-2A plugin can also add some punch and weight to guitars, bass, and other stringed instruments. Try using the Lim mode with a high Peak Reduction setting and a low Gain setting to achieve a tight and aggressive compression.



  • The CLA-2A plugin can be used in parallel with another compressor plugin to create a more complex and dynamic compression. For example, you can use the CLA-2A plugin on a vocal track in series with the CLA-76 plugin in parallel, and blend them together using a send/return bus. This way, you can combine the smoothness of the CLA-2A with the attack of the CLA-76.



CLA-3A: The Transparent Solid-State Compressor




The second plugin in the bundle is CLA-3A, which is modeled on the classic solid-state compressor from the late '60s. This compressor is known for its fast and transparent response that makes it ideal for drums, keyboards, synths, and other instruments that need precise and consistent compression with minimal coloration.


The CLA-3A plugin emulates the original's circuitry and components, including its transistor-based gain reduction element. It also features Chris Lord-Alge's personal presets that he uses on his own mixes. Here are some of the main features and controls of the CLA-3A plugin:



  • Gain: This knob adjusts the output level of the compressor.



  • Peak Reduction: This knob adjusts the amount of compression applied to the signal.



  • Compressor Mode: This switch toggles between two modes: Comp (compression) and Lim (limiting). The Comp mode has a soft knee and a ratio of 4:1, while the Lim mode has a hard knee and a ratio of 20:1.



  • VU Meter: This meter displays the input level, output level, or gain reduction of the signal.



  • VU Meter Mode: This switch selects what the VU meter displays: IN (input level), OUT (output level), or GR (gain reduction).



  • Analog: This switch enables or disables the analog noise and hum emulation of the original hardware.



To use the CLA-3A plugin on your tracks, you can follow these simple steps:



  • Insert the plugin on the track you want to compress.



  • Adjust the Peak Reduction knob until you see a moderate amount of gain reduction on the VU meter (around 3 to 6 dB).



  • Adjust the Gain knob to compensate for the volume loss caused by compression.



  • Choose between Comp or Lim mode depending on how much compression you want to apply.



  • Tweak the Analog switch to add some warmth and character to your sound.



Here are some tips and tricks for getting the best results with the CLA-3A plugin:



  • The CLA-3A plugin works great on drums, as it can add some punch and clarity to the transients and sustain of the drum sounds. Try using the Lim mode with a high Peak Reduction setting and a low Gain setting to achieve a snappy and powerful compression.



  • The CLA-3A plugin can also add some definition and sparkle to keyboards, synths, and other electronic instruments. Try using the Comp mode with a low Peak Reduction setting and a high Gain setting to achieve a smooth and bright compression.



  • The CLA-3A plugin can be used in parallel with another compressor plugin to create a more complex and dynamic compression. For example, you can use the CLA-3A plugin on a drum bus in series with the CLA-76 plugin in parallel, and blend them together using a send/return bus. This way, you can combine the transparency of the CLA-3A with the color of the CLA-76.



CLA-76 Blacky & Bluey: The Superfast Attack Compressors




The third and fourth plugins in the bundle are CLA-76 Blacky and Bluey, which are modeled on two versions of the iconic FET compressor from the early '70s. This compressor is known for its superfast attack and release times that make it ideal for vocals, guitars, bass, drums, and other instruments that need aggressive and punchy compression with rich harmonics.


The CLA-76 Blacky and Bluey plugins emulate the original's circuitry and components, including its field-effect transistor-based gain reduction element. They also feature Chris Lord-Alge's personal presets that he uses on his own mixes. Here are some of the main features and controls of the CLA-76 Blacky and Bluey plugins:



  • Input: This knob adjusts the input level of the compressor.



  • Output: This knob adjusts the output level of the compressor.



  • Attack: This knob adjusts the attack time of the compressor, from 0.8 microseconds to 800 microseconds.



  • Release: This knob adjusts the release time of the compressor, from 50 milliseconds to 1100 milliseconds.



  • Ratio: This switch selects one of four compression ratios: 4:1, 8:1, 12:1, or 20:1.



  • VU Meter: This meter displays the input level, output level, or gain reduction of the signal.



  • VU Meter Mode: This switch selects what the VU meter displays: IN (input level), OUT (output level), or GR (gain reduction).



  • Analog: This switch enables or disables the analog noise and hum emulation of the original hardware.



To use the CLA-76 Blacky or Bluey plugins on your tracks, you can follow these simple steps:



  • Insert the plugin on the track you want to compress.



  • Adjust the Input knob until you see a moderate amount of gain reduction on the VU meter (around 3 to 6 dB).



  • Adjust the Output knob to compensate for the volume loss caused by compression.



  • Adjust the Attack and Release knobs to shape the dynamics of your sound. Generally, faster attack and release times will result in more aggressive and punchy compression, while slower attack and release times will result in more smooth and natural compression.



  • Choose the Ratio that suits your needs. Generally, higher ratios will result in more compression and more distortion, while lower ratios will result in less compression and less distortion.



  • Tweak the Analog switch to add some warmth and character to your sound.



Here are some tips and tricks for getting the best results with the CLA-76 Blacky or Bluey plugins:



  • The CLA-76 Blacky and Bluey plugins work great on vocals, as they can add some presence and energy to the voice. Try using a high ratio (12:1 or 20:1) with a fast attack and release to achieve a bright and upfront compression.



  • The CLA-76 Blacky and Bluey plugins can also add some grit and edge to guitars, bass, and other electric instruments. Try using a low ratio (4:1 or 8:1) with a slow attack and release to achieve a warm and crunchy compression.



  • The CLA-76 Blacky and Bluey plugins can be used in parallel with another compressor plugin to create a more complex and dynamic compression. For example, you can use the CLA-76 Blacky or Bluey plugin on a guitar track in series with the CLA-2A plugin in parallel, and blend them together using a send/return bus. This way, you can combine the attack of the CLA-76 with the smoothness of the CLA-2A.



Conclusion




Waves CLA Classic Compressors are four amazing compressor plugins that can help you achieve professional-sounding mixes with ease. They are modeled on four legendary compressors that have been used by countless audio engineers and producers for decades. They offer a variety of features, controls, modes, presets, and analog emulation that can suit any musical genre and style. They are also compatible with various formats and platforms, making them accessible and convenient for any user.


If you want to experience the magic of Waves CLA Classic Compressors for yourself, you can download them from the official Waves website. You can also find more information, tutorials, reviews, and testimonials about these plugins on the same website. You can also watch some videos of Chris Lord-Alge demonstrating how he uses these plugins on his own mixes on YouTube.


Thank you for reading this article. We hope you found it informative and helpful. If you have any questions or feedback about Waves CLA Classic Compressors, please feel free to leave a comment below. We would love to hear from you.


FAQs




Here are some frequently asked questions about Waves CLA Classic Compressors and their answers:



What is the difference between CLA-76 Blacky and Bluey?


  • The CLA-76 Blacky and Bluey are modeled on two different revisions of the original FET compressor. The Blacky is based on the black-face version, which has a slower attack time and a smoother sound. The Bluey is based on the blue-stripe version, which has a faster attack time and a more aggressive sound.



How much do Waves CLA Classic Compressors cost?


  • The Waves CLA Classic Compressors bundle costs $299 USD on the official Waves website. However, you can often find discounts and deals on this bundle, especially during sales events. You can also buy each plugin individually for $99 USD each.



Do Waves CLA Classic Compressors require an iLok?


  • No, Waves CLA Classic Compressors do not require an iLok dongle or license manager to run. You can activate them using your Waves account or a USB flash drive.



Can I use Waves CLA Classic Compressors on multiple computers?


  • Yes, you can use Waves CLA Classic Compressors on up to two computers at the same time. You can also move your licenses between computers using your Waves account or a USB flash drive.



What are the system requirements for Waves CLA Classic Compressors?


The system requirements for Waves CLA Classic Compressors are as follows:



Mac


Windows


CPU: Intel Core i5 / i7 / Xeon


Memory: 8 GB RAM


Operating System: 10.13.6 - 11


Screen Resolution: Minimum 1024x768


Plugin Formats: AU / VST / VST3 / AAX Native / AAX DSP


CPU: Intel Core i5 / i7 / Xeon / AMD Quad-Core


Memory: 8 GB RAM


Operating System: Windows 10 64 bit


Screen Resolution: Minimum 1024x768


Plugin Formats: VST / VST3 / AAX Native / AAX DSP


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